Max Yasmeen is a British-Kashmiri conceptual artist based between London and Sussex, UK. Her practice explores the movement of people through thought and the relationship between technology and spirituality. Working across installation, she incorporates technology, textiles, and sculpture to examine transitions between digital and physical space, blending the traditional and contemporary. 
Yasmeen holds a BFA from Goldsmiths, University of London, and completed the alternative art program at School of the Damned. She is a member of the Working Class Creatives Database and has exhibited widely across the UK.
Much of her recent work is site-specific, immersive and community-focused. Working through themes of imports/exports, Britishness, multiculturalism, immigration, working class identity and myths.
She is currently developing a large-scale public conceptual artwork in the London Borough of Croydon, with information available at Croydon Museum and Turf Projects.

b. 1986, Shoreham-by-Sea, UK
Lives and works in London and West Sussex, UK.

EDUCATION
2024    Alt MFA, School of the Damned, UK
2017    BA Fine Art, Goldsmiths University, London, UK

SELECTED GROUP EXHIBITIONS
2024   Outre Monde, Not For Sale Gallery, London, UK
2024   Remains, Greatorex Street, London, UK
2024   Bed Time Stories, Well Projects, Margate, UK
2024    Ephemeral Art Enduring Collective, The Lubber Fiend, Newcastle, UK
2024    Mud, Bricks, Bristol, UK
2023    SOTD Public Crit, SET Woolwich, London, UK
2023    To Move Without Friction, SET Woolwich, London, UK
2023    Sod's Law, Bermondsey Project Space, London, UK
2023    Between Different States, Bloc Projects, Sheffield, UK
2023    SOTD Public Crit, No. 9 Cork Street Frieze Gallery, London, UK
2023    I was Baptised in Fortnite, Antwerp Mansion x West Art Collective, Manchester, UK
2021    Infinite Dreams, Contemporary Art Curator, Online
2019    Young Masters, Windsor Art Centre, London, UK 

WRITING
2023    Collaborative text, Arts of the Working Class, Issue: No. 26 Grassroots
2022    Goodboy, The Posthumanist, Issue: Sleep
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